Ep 133: Low key or moody lighting for portraits using daylight or flash

There are a range of reasons why you might want to achieve moody lighting. Sometimes, it’s the look you’re going for. Other times, you may find yourself shooting in a messy or ugly environment where you want to “hide” the background by simulating a moody setting. Even if you find yourself in a well-lit situation, you can still achieve a moody, dark shot with these techniques.

Gina and Valerie chat about the steps you need to take to get artistic, moody shots in any situation. You’ll learn heaps from this episode!

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Show notes

Photo Critique

What is low key lighting?

  • High contrast
  • Low lighting
  • Dark
  • Moody
  • First introduced by the Italians e.g. Da Vinci in the 15th Century
  • Film noir movies 1930’s and 40’s

“Film Noir (literally ‘black film or cinema’) was coined by French film critics (first by Nino Frank in 1946) who noticed the trend of how ‘dark’, downbeat and black the looks and themes were of many American crime and detective films released in France to theatres following the war, such as The Maltese Falcon (1941), Murder, My Sweet (1944), Double Indemnity (1944), The Woman in the Window (1944), andLaura (1944)”

Via http://www.filmsite.org/filmnoir.html

The Third Man

Still from The Third Man

Renaissance paintings

  • Da Vinci’s Last Supper
  • Paintings of Caravaggio during the late 16th century.

“chiaroscuro”
Chiaroscuro Italian term
chiaro meaning clear or light
scuro meaning dark, sombre, moody

How to achieve low key in photography

  • Low key lighting works when you have a brightly lit subject against a darker background.
  • Exposing for detail in the highlights means that everything else in the picture is underexposed
  • Detail in highlights
  • Eliminate ambient light

Daylight
Look for high contrast scenes
Low ISO
Very fast shutter speed
Bright light
Dark background
High contrast

Garage light
Sunlit people objects against something in the shade

Above: If I photograph a flower in front of other flowers that are lit with sun the exposure is the same throughout the image and I get an evenly lit bright image.
Above: If I photograph a flower in bright sunshine against a flowerbed that is in shade the difference in exposure between the bright sunshine and dark shadow is too great for the camera to record any detail in the shadows.
I end up with a flower against a black background.

Expose for highlights

Adjust aperture to control exposure

Above: Image by Gina Milicia
Above: In this image I exposed for my figure in bright sunlight against a shaded street scene

 

All image of Pugsly below are shot by Gina Milicia

Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia

How to use your histogram

How do you know when your image is completely black?

Your histogram has flatlined.

Above: Image by Gina Milicia
Above: Neutral image has detail in the shadows, midtones and highlights
Above: Image by Gina Milicia
Above: Underexposed image very little detail in mid tones and shadows
Above: Image by Gina Milicia
Above: Black image with flatlined histogram

 

Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia
Above: Image by Gina Milicia

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About Gina

About Gina

Gina Milicia is one of the most widely known and respected photographers in Australia. She is the master of capturing that ‘magical moment’... READ MORE

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